As a classic movie fan, it’s difficult to pick favorites. But after much thought, my Top 10 Movies of the 1940’s are listed below.
Adam’s Rib (1949). Directed by George Cukor, this film pits husband and wife attorneys against each other. Katharine Hepburn portrays Amanda, a lawyer who defends a woman being tried for shooting her philandering spouse. Amanda’s husband, Adam Bonner (Spencer Tracy), is the prosecutor. The case becomes a feminist cause for Hepburn’s character, and the ensuing battle is hilarious. This film is progressive for its time and makes a loud statement for women’s rights. One of my favorite scenes is where, in an attempt to manipulate his wife, Tracy’s character is able to make himself cry to gain her sympathy.
Casablanca (1943). Directed by Michael Curtiz, it stars Humphrey Bogart (Rick Blaine), Ingrid Bergman (Ilsa Lund Laszlow), and Paul Henreid (Victor Laszlow). Rick, a cynical bar owner becomes conflicted when his former love shows up in Casablanca with her husband, a resistance leader fighting against the Nazis. Does he help his former love, Ilsa, and her husband continue their fight or take this opportunity to reunite with his love. It won three Academy Awards, including Best Picture, and several memorable quotes came from this movie. Among them are, “We’ll always have Paris,” and “Of all the gin joints in all the towns in all the world, she walks into mine.”
Gentleman’s Agreement (1947). This film won three Oscars, including best picture. Starring Gregory Peck and Dorothy McGuire, it was directed by Elia Kazan. Peck portrays journalist, who poses as a Jew so that he can write an accurate account of anti-Semitism. He quickly realizes what it is like to suffer at the hands of intolerance. Not only is he treated differently, his son is also singled out and abused. He even realizes that the woman he loves is prejudiced and judgmental. The truths revealed and the lessons learned are as relevant today as they were when the picture was made.
Maltese Falcon (1941). Starring Humphrey Bogart, Mary Astor, Peter Lorre, and Sydney Greenstreet, this is one of the best detective dramas ever made. It deserves its spot in the top half of the American Film Institute’s (AFI) Top 100 Movies. Bogart’s character, detective Sam Spade, is trying to find out why a group of lowlifes desperately want the jewel-encrusted falcon, and he’s surprised to learn what they’ll do to get it. I love mysteries, and Bogart, so I can’t imagine anyone else playing the role of Sam Spade.
Notorious (1946). Directed by Alfred Hitchcock, this is one of the best suspense films ever made. It stars Cary Grant as Devlin, an American agent, and Ingrid Bergman as Alicia Huberman, the daughter of a treasonous, convicted Nazi spy. Devlin convinces Alicia to use her connections to help him trap a Nazi mastermind by making him fall for her. Because she’s in love with Devlin, she agrees, putting her life in danger. Almost too late, he realizes that he has fallen in love with her, and that the danger he has put her in could end her life. Nominated for two Academy Awards, the fast pace of this film adds to its already taut suspense.
Philadelphia Story (1940). Voted one of the Top 100 Films of all time by the AFI, this movie stars Katharine Hepburn as Tracy Lord, Cary Grant as C.K. Dexter Haven, James Stewart as Macaulay Connor, and Ruth Hussey as Elizabeth Imbrie. Directed by George Cukor, this is one of the funniest films ever made. Katharine Hepburn plays a rich, spoiled, judgmental socialite who, by the end of the movie, learns much about life and love. Cary Grant plays Hepburn’s recovering alcoholic, marginally self-righteous ex-husband brilliantly. It is fun, entertaining, and makes me laugh out loud.
Rebecca (1940). Directed by Alfred Hitchcock, this film won two Oscars. Based on the novel by Daphne Du Maurier, it stars Laurence Olivier as Maxim de Winter, a troubled, wealthy widower and Joan Fontaine, who is never named, as a shy, ordinary, working class woman. The two meet on vacation and marry after a whirlwind romance. The trouble starts when they return to his estate. The deceased ex-wife still has a hold on everyone, and the estate’s housekeeper, the cruel, intimidating Mrs. Danvers, has some secrets of her own. Hitchcock’s talent for suspense shines.
Spellbound (1945). This film is one of Alfred Hitchcock’s best. Nominated for six Oscars, it is filled with plot twists that will surprise at every turn. Ingrid Bergman plays Dr. Constance Petersen, a psychiatrist trying to help Gregory Peck, an amnesiac, who is mistakenly believed to be famous psychiatrist, Dr. Edwards. He must regain his memory and solve the mystery of what happened to the real doctor. Hepburn and Peck give superb performances.
To Have and Have Not (1944). Directed by Howard Hawks and starring Humphrey Bogart and Lauren Bacall, this movie sizzles. There couldn’t have been a better debut film for the sultry, nineteen year old Bacall. Bogart’s character helps French resistance fighters while trying not to fall in love with Bacall’s character. One of the AFI’s Top 100 quotes comes from this film. “You know how to whistle, don’t you, Steve? You just put your lips together and blow.” The chemistry between the two stars is undeniable.
Treasure of Sierra Madre (1947). This film, a study in greed and the dark side of human nature, is the story of three prospectors and their search for gold in the Sierra Madre Mountains. Starring Humphrey Bogart, Walter Huston, Tim Holt, and Bruce Bennett, and directed by Walter Huston’s son, John, it was not a huge box office success. It was, however, nominated for four Oscars and won three. Though not nominated for an Oscar, Bogart’s performance as the greedy and paranoid Fred C. Dobbs is perfect. The famous movie quote “Badges, we don’t need no stinking badges,” came from this film. In the movie, the bandit actually said, “Badges? We ain’t got no badges! We don’t need no badges. I don’t have to show you any stinkin’ badges!”